Menstruation is a human right, and there is now a broad consensus on what women and teenagers girls need during menstruation:
• They must have access to clean material to absorb or collect menstrual blood.
• They must be able to change this material safely and in privacy, and have somewhere to dispose of used menstrual supplies or wash reusable ones.
• Menstruating women and girls must also be able to wash themselves with soap and water in complete safety and privacy.
• They should receive basic education about the menstrual cycle and how to manage menstruation without embarrassment or fear.
• Women and girls must also have access to information and health care if they suffer from menstrual disorders.
• Menstrual products must also be safe, effective and acceptable to the people who use them. These products can include disposable sanitary towels, reusable sanitary towels, disposable tampons, menstrual cups and clean, absorbent fabrics such as rags or specific innovation underwear.
The use of menstrual blood as a symbol and/or as medium in art and activism is a powerful form of self-expression and resistance against the stigma surrounding menstruation, offering a bold and empowering means of challenging societal norms.
Judy Chicago's work is a significant milestone, as it is widely recognized as the first image "Red flag" to depict menstruation in Western art, dating back to 1971 and specifically featuring the removal of a used tampon.
Between 1974 and 1979, Judy Chicago created the iconic and pioneering work "The Dinner Party", a groundbreaking piece featuring a red tablecloth made from her own menstrual blood, which paved the way for future creative endeavors that challenged
societal norms and promoted open conversations about menstruation.
We have a diverse range of artists who are utilizing menstrual blood and/or the subject-object as a medium, using it as a vessel to create art and challenge the masculine dominance of consumer culture.
"Cycelbell's Soup" can be interpreted as a commentary on the influence of popular culture on our perception of reality, highlighting its ability to shape and distort our understanding of the world.
"Cycelbell's Soup" revolutionizes the art world by offering a fresh and provocative spin on Andy Warhol's iconic "Campbell's Soup Cans" (1962), redefining the boundaries of femininity and challenging traditional notions of artistic expression.
The parody of Warhol's artwork is a masterclass in creative reinterpretation, demonstrating the ability to think critically about art history and challenge the status quo.
"Cycelbell's Soup" is a testament to the innovative spirit and willingness to push boundaries in art, as well as the piece's bold message, "Menstruation represents a human right." This work demonstrates a commitment to exploring the boundaries of art, sparking important conversations about femininity, power, and creativity.
Thank you for your attention.
Sincerely,
Wolfgang Petsch
[Glitch Minister] / author and artist
Drève des Chasseurs 137
1410 Waterloo - Belgium - EU
GSM: 0497.48.07.79
E-mail: wolfgang.a.petsch@gmail.com