Glitch Minister - Wolfgang Petsch - Q&A

1 ) Where and when did you first exhibit individually? 

City: Brussels 

Region: Brussels Capital 

Country: Belgium 

Location : EU / Berlaymont Building at La Retonde 

Year: 03/29 to 04/30/1982 / Vernissage: 03/29/1982 at 6:00 pm to 21:00 

2) Can you tell us about your main solo exhibitions? 

03/29 to 04/30/1982 / EU / Berlaymont Building at "La Retonde" Brussels  (with Poster / Photos) first personal retrospective of art from 1976 to 1982  showcasing 44 artworks by the age of 22.  

3) Have you ever taken part in any art fairs? 

1980 - Art exhibition at Anne-Frank-Gymnasium to 05/17/1980 / Aachen /  Nord-Rhein-Westfalen / Germany 

2018 - Truc Troc & Design / Bozar, Brussels / date : 26 to 28/01/20218  (Photos)  

2019 - Truc Troc & Design / Bozar, Brussels / date : 01 to 03/02/20219  (Photos)  

2019 - Art exhibition at the Wagg from 08 to 29/11/2019 / Waterloo / Walloon  Region (Photos)  

2022 - Truc Troc & Design / Tour and Taxis - Gare Maritine / date : 20 to  22/05/2022 (Photos)  

2023 - Art3Femmes / Heysel Palais 1 – Brussels / date : 24 to 26/11/2023  (Photos)  

2024 - Art[ist]meeting / Grand Casino Knokke / Knokke Zoute / date 23 to  25/08/2024 

4) Have you ever taken part in any artist route? 

2001 Saint-Gilles artists' route (Photos: Creative Chappelle on four wheels as a top " Soup Box / CC ") 

2015 Waterloo artists' route (Photos) 

2017 Waterloo artists' route (Photos) 

2019 Waterloo artists' route (Photos) 

2021 Waterloo artists' route (Photos) 

5) Have you participated in any group exhibitions? 

1982 Kunst Ausstellung Hambacher Schloss Fest / " Idee und Wirklichkeit freiheitlicher Gesinnung 1832-1982 " / What a fascinating connection ! The  theme of the exhibition, "Idea and Reality of Liberal Sentiment", likely  resonated with my family's history and legacy.  

My family's roots and significant historical events of Friedrich Koenig's 

invention of the steam-powered printing press in 1811 played a significant  role in the development of the free press in Germany and the company  Koenig & Bauer is still exsitents with more as 205 years ongoing.  

Dr. Philipp Jakob Siebenpfeiffer, was a multifaceted individual with a  background in medicine, journalism, and editorials art. He has been the  founder of the liberal newspaper "Deutschland" in 1832, was likely influenced  by Koenig's innovation.  

The faster and more efficient printing process enabled mass production of  newspapers, making it possible for the free press to reach a wider audience  and spread information more quickly.  

Dr. Philipp Jakob Siebenpfeiffer likely recognized the significance of Friedrich  Koenig's invention in spreading news and ideas, which further fueled his own  advocacy for liberal reforms. This was a crucial factor in the growth of a free  press and its impact on German society during the industrial period, ultimately promoting deep social and political change.  

Siebenpfeiffer was also known for his work as a reformer and advocate for  social justice. He was involved in several reform movements, including the  abolition of serfdom and the promotion of education and women's rights.  

What a remarkable coincidence! It's as if fate brought my family heritage tree  and Dr. Philipp Jakob Siebenpfeiffer's family tree together at the 1982 Kunst  Ausstellung Hambacher Schloss Fest.  

In a surprising twist, the siblings of the Siebenpfeiffer family tree, who were  attending the exhibition, purchased my artwork at the opening of the  exposition.  

The unexpected connection between our family trees and my art has left me  feeling astonished and grateful for this serendipitous encounter.  

City: Neustadt an der Weinstrasse 

Location: Rheinland-Pfalz / Germany 

Date: 16/08 to 05/09/1982 

Jury: Jury of 8 members and art experts  

1984 Erasmus Foundation / Brain Science Day  

City: 1070 Brussels / Route de Lennik 808 

Location : Bruxselles Capital Region 

Date : 23/11/1984 

Jury: Cover with drawing by Wolfgang Petsch

1985 NUTZKUNST : Internationale Grafik-Design Ausstellung von  Kunstakademien, (La Cambre, Wolfgang Petsch, with the suject : The Urban  Fabric 1985) 

City: Bremen, Germany  

Location: Untere Rathaushalle, Am Markt 

Date: 08 to 26/11/1985 

Jury: Ein Projekt der Hochschule für Gestaltende Kunst und Musik Bremen 

2002 R.B. Flugtag / Antwerp / The challenge of designing a flying art object  to achieve maximum distance sparked creativity and engineering innovation  among participants.  

The inaugural winner, Sonaca SA, an aerospace company, showcased their  expertise by developing a high-performing flying object.  

Additionally, the lollipop company C.C. secured the runner-up position,  demonstrating unconventional thinking and design prowess in the  competition.  

The event not only highlighted the diversity of skills and talent but also  celebrated the collaborative spirit and ingenuity of participants in tackling  unique challenges.  

It was a pleasant surprise to be invited to Somaca SA's headquarters by the  CEO, where I was welcomed with a handshake and a drink.  

The CEO suggested that I should consider becoming a pilot too, highlighting  recognition of my talents and potential within the field like the new born  Leonardo Da Vinci.  

City: Antwerp 

Location: Houtdok 

Date: 02/06/2002 

Jury : R.B. 

2002 Raising promo girls to star status. Elevating promo girls to star status presents a unique challenge that involves conceptualizing innovative outfits to enhance the brand's signature look, garnering increased media attention,  solidifying brand identity, and captivating consumers and media at events.  

By creating distinctive attire that resonates with the brand's values and  attracts attention, these promotional models can play a pivotal role in driving  brand awareness and engagement.  

This strategic approach not only strengthens the brand's presence but also  positions the promo girls as focal points, contributing to a memorable and 

impactful brand experience.  

City: Barcelona / Brussels / Antwerp etc. 

Location: Events / Public Relation  

Date : 15/05/2002 

Jury : Marketing Department of C.C. & Public Relation Team 

2003 R.B. Soapbox derby: A mega event at the Spa-Francochamps F1  racecourse with a creative "soapbox II" for the C.C. lollipop brand and it was  a successful and enjoyable event for all involved. 

It's great to see innovative marketing strategies come to life in such a positive way.  

City : Spa-Francochamps 

Place : F1 Spa-Francochamps 

Date : 02/06/2002 

Jury : R.B. 

2018 and 2019 Truc Troc Brussels - Post-it concept / By pushing  boundaries and thinking outside the box in my artistic endeavors, I  impulsively decided to challenge myself further by stealthily incorporating my  artwork onto the white exhibition wall at the prestigious "Truc Troc & Design"  event in Brussels.  

Witnessing art enthusiasts and spectators engaging in barter offers for  various services and experiences in exchange for my work was both  exhilarating and enlightening.  

It is rare to encounter such a unique and unexpected exchange of services,  particularly in the context of a gynecologist offering consultation in return for  artwork.  

This experience not only showcases the diverse ways in which individuals  perceive and appreciate art, but also reaffirms the multifaceted value that  female art models bring to the table.  

Overall, it serves as a powerful reminder of the intersection between  creativity, professionalism, and personal connections.  

City: Brussels 

Place : Centre for Fine Art - Bozar / Rue Ravenstein 23, 1000 Brussels Date : 26, 27 et 28/01/2018 / 01, 02 et 03/02/2019 

2021 Atrium57 / L'art évolution / 4th Biennale de Création contemporaine  de Gembloux, where 16 artists are exhibiting their work alongside José  Lambert's "Cuba s'affiche" collection and offering a unique opportunity for  reflection on Cuban art and its influence on contemporary artistic practices.  City: Gembloux

Place: Atrium57 / Gembloux Cultural Centre 

Date : 07 to 17/10/2021 

Jury: Members of Atrium57  

2022 Art Truc Troc & Design / 17th edition / Two works were officially  selected : "Mona Lisa avec son droit dore" and "Cyclebell's Soup", women's  menstrual cycle and with the female cycle synchronization bring depth and  meaning to the art show, offering a unique perspective on these important  topics. It's exciting to see artists exploring such profound and relevant themes in their creations and cheering with the audience. 

City: Brussels  

Venue: Tour & Taxis Maritime Station 

Date: 20, 21 and 22 May 2022 

Jury: Selection Jury / François Coorens (President of the 2022 Jury) In addition, the artist's work "Cycelbell's Soup" has been recognised by the  Andy Warhol Foundation as the rights holder and creator of the original work,  but as a parody, which included the female menstrual cycle and the  synchronisation of cycles. 

2023 International Contemporary Art Fair Brussels [Art3Femmes / stand  E17]  

City: Brussels 

Venue: Heysel Palais 1  

Date: 24, 25 and 26 November 2023 

Jury: Members of art3Femmes in Mulhause 

2024 Galerie La Patinoire Royale Bach / The first delighted invitation for a  specific collector's brunch for this year's edition of Ballroom Project on  Sunday 19 May arrived, offering a unique opportunity to interact with the  curator Pieter Vermeulen, as well as the participating artists and gallerists,  which promises to be a fascinating experience.  

2024 Art [ist] Meeting / Save the date ! / Discover a unique selection of the  my works, during Art [ist]Meeting, the art fair for artists from 23-25 August at  the Grand Casino Knokke. Daily open from 3 – 8 pm. Information on  artistmeeting.com and/or on glitchminister.com  

6) Are you mentioned in a magazine, book, dictionary, TV show, or  similar publication etc.?  

Yes, I am mentioned in the book "Kunst Ausstellung Hambacher Fest" by  IDEAL UND WIRKLICHKEIT FREIHEITLICHER GESINNING 1832 - 1982,  specifically as artiste Wolfgang Petsch on page 40 as number 40. 

Yes, I am mentioned in the weekly magazine Trends Tendances, No. 28-29 15 July 1999, on a double-page spread about the creativity of the CC lollipop brand and PETSCH surf marketing phenomenon.  

2000 RTL-TVI "Coute que Coute" Media attention of 9'33 minutes on my PR  strategies of the CC lollipop brand and PETSCH surf marketing phenomenon. 

7) Do your artworks feature in any of the collections? 

The artist's works have captured the interest of esteemed private collectors  since 1982, with their first solo exhibitions in Brussels showcasing 44  artworks by the age of 22.  

8) Have you received any awards or art critics for your artistic work?  

1982 Europäischen Wettbewerb / Der Regierungspräsident-Düsseldorf /  Erster Preis von Nord-Rhein-Westfalen und der zweite als Bundessiegerpreis / BRD- Germany 

2001, at the R.B. Flugtag in Antwerp, the challenge of this event was to  design a flying object to overcome and maximize distance. The first winner  was Sonaca SA Aerospace Company, and the second winner was the lollipop company C.C with my art creation.  

2017 "Nasty Women Everywhere.org" by Kirsten Cameron on 13/02/2017  raised awareness for women's and individual rights and money for victims of  domestic violence through a creative YouTube video clip featuring my female  models as entire motion picture: https://youtu.be/KDGdFsuW--8.  

2022 Jerry Saltz. Receiving praise from a prominent art critic, known for his  insightful critiques and expertise in the art world, is indeed a significant  endorsement. The simple commendation of "Pretty Good Art" highlights the  recognition of my innovative female art medium and creations within the  international art community, showcasing my specific talent and potential for  further opportunities and validation of my artistic endeavors on a global scale. From Twitter / info@twitter.com date: Sat, Nov 19, 2022,12:03 AM  

9) Are you the founder or co-founder of a movement, an artist's route, a  group, a circle, or an artistic association?  

Yes, I am a founder and creator who has developed and registered models  representing various unique abstract women types (femme trap, femme  fatale, archetypal woman) with the US Congress. These models are derived  from transforming a conventional mouse trap into an extraordinary 

representation of Venus, characterized by bold and disruptive design. This  approach emphasizes their authenticity as a truly original form of femininity  and fused at the same time a distinctive meaningful female voice in the realm  of conceptual art. 

According to copyright law ©, no one can appropriate my models, whether  used individually, in groups, or full picture animations. This extends to the  creation of films where my models appear to transition between perspectives  to convey a specific message or engage in audiovisual exploration, as  specified within this framework for purposes such as criticism, commentary,  reporting, and general education."  

In simpler terms, I am the creator of the femme fatale archetype in a  conceptual sense. As the copyright owner, I hold the rights to this model,  which symbolizes an open window for a fresh fusion with art, dance and a  unique perspective on women's reality and health.  

Similarly, in the realm of research, artists like "Yves Klein" with his  monochrome exploration and iconic "Blue" registration exemplify artistic acts  that transcend mere commercial interests. According to sources like Philip  Ball's "Bright Earth: The Invention of Color", Klein's pursuit aimed not just at  safeguarding his creations but also at preserving the authentic genesis of his  creative concepts, rooted in technological inspiration.  

Furthermore, I have developed my own minimalist parody model inspired by  Yves Klein, known for his monochrome art. While Klein is celebrated as  "Yves, le Monochrome," my unique creation is completely immersed in the  color blue, with intricate rotations in all dimensions. On the reverse side, a  typography in a negative imprint on Venus dismantles the patriarchal notion,  reimagining Klein as "Yves, en MoNoFEMME," challenging traditional gender  roles and identities complited the world up side down. 

Intellectual Property (IP): My base model/models are registered at the US  Copyright Office at the Library of Congress, James Madison Memorial  Building, 101 Independence Avenue, S.E., Washington, D.C., and as an  entire motion picture since October 10, 2016. Registration Number: Pau3- 823-660 / Effective Date of Registration: October 10, 2016. 

10) Are you a member of any artistic circles, groups, or associations? 

Yes, I am a member of the "La Cambre" art club in BXL and am open to  joining other artistic circles, groups, or associations. Being a part of such  communities can offer valuable networking opportunities, inspiration, and  support in my creative endeavors. It is key to exploring and connecting with 

fellow artists ! 

11) Are you attached to one or more galleries where your work can be  seen permanently? 

"I'm not currently attached to a gallery through a contract, but I'm open to  collaborations with galleries on a non-exclusive or one-off basis.  

If we agree to work together, I'd like to establish a clear agreement, including  a 'bon de dépôt' that outlines the terms of the exhibition and potential sale of  my work.  

I also have my own concept for renting or buying space, which I call and  named "Glitch Minister as pop-up gallery", and I use this to exhibit and  communicate my work in a variety of locations and events, including street art installations like at Mima-Brussels and/or at the East Side Gallery-Berlin."  

12) How do you sign your paintings, drawings, sculptures and other  works? 

That's a great point! The signature of an artwork is indeed a personal touch  that conveys the artist's identity and complicity, and it's fascinating to see the  various ways that artists can express themselves through their signature.  

From traditional signatures like names and pseudonyms, to more innovative  methods in technical typography and dates signatures, each approach adds a unique layer of meaning and character to the artwork. 

The signature and numbering of an artwork can indeed provide valuable  insight into the artist's creative process and aesthetic, serving as a tangible  connection to the artwork's provenance and history.  

In addition, I also have my specific signature with my brand "frog" logo, which  also has a registration certificate issued for the OHIM Community trade mark  for conceptual and figurative art with No. 001433663. The registration is  published in the Bulletin of Community Trade Marks No 014/2001 of  05/02/2001, page 661.

Menstruation is a human right / Cycelbell's Soup by Wolfgang Petsch