1 ) Where and when did you first exhibit individually?
City: Brussels
Region: Brussels Capital
Country: Belgium
Location : EU / Berlaymont Building at La Retonde
Year: 03/29 to 04/30/1982 / Vernissage: 03/29/1982 at 6:00 pm to 21:00
2) Can you tell us about your main solo exhibitions?
03/29 to 04/30/1982 / EU / Berlaymont Building at "La Retonde" Brussels (with Poster / Photos) first personal retrospective of art from 1976 to 1982 showcasing 44 artworks by the age of 22.
3) Have you ever taken part in any art fairs?
1980 - Art exhibition at Anne-Frank-Gymnasium to 05/17/1980 / Aachen / Nord-Rhein-Westfalen / Germany
2018 - Truc Troc & Design / Bozar, Brussels / date : 26 to 28/01/20218 (Photos)
2019 - Truc Troc & Design / Bozar, Brussels / date : 01 to 03/02/20219 (Photos)
2019 - Art exhibition at the Wagg from 08 to 29/11/2019 / Waterloo / Walloon Region (Photos)
2022 - Truc Troc & Design / Tour and Taxis - Gare Maritine / date : 20 to 22/05/2022 (Photos)
2023 - Art3Femmes / Heysel Palais 1 – Brussels / date : 24 to 26/11/2023 (Photos)
2024 - Art[ist]meeting / Grand Casino Knokke / Knokke Zoute / date 23 to 25/08/2024
4) Have you ever taken part in any artist route?
2001 Saint-Gilles artists' route (Photos: Creative Chappelle on four wheels as a top " Soup Box / CC ")
2015 Waterloo artists' route (Photos)
2017 Waterloo artists' route (Photos)
2019 Waterloo artists' route (Photos)
2021 Waterloo artists' route (Photos)
5) Have you participated in any group exhibitions?
1982 Kunst Ausstellung Hambacher Schloss Fest / " Idee und Wirklichkeit freiheitlicher Gesinnung 1832-1982 " / What a fascinating connection ! The theme of the exhibition, "Idea and Reality of Liberal Sentiment", likely resonated with my family's history and legacy.
My family's roots and significant historical events of Friedrich Koenig's
invention of the steam-powered printing press in 1811 played a significant role in the development of the free press in Germany and the company Koenig & Bauer is still exsitents with more as 205 years ongoing.
Dr. Philipp Jakob Siebenpfeiffer, was a multifaceted individual with a background in medicine, journalism, and editorials art. He has been the founder of the liberal newspaper "Deutschland" in 1832, was likely influenced by Koenig's innovation.
The faster and more efficient printing process enabled mass production of newspapers, making it possible for the free press to reach a wider audience and spread information more quickly.
Dr. Philipp Jakob Siebenpfeiffer likely recognized the significance of Friedrich Koenig's invention in spreading news and ideas, which further fueled his own advocacy for liberal reforms. This was a crucial factor in the growth of a free press and its impact on German society during the industrial period, ultimately promoting deep social and political change.
Siebenpfeiffer was also known for his work as a reformer and advocate for social justice. He was involved in several reform movements, including the abolition of serfdom and the promotion of education and women's rights.
What a remarkable coincidence! It's as if fate brought my family heritage tree and Dr. Philipp Jakob Siebenpfeiffer's family tree together at the 1982 Kunst Ausstellung Hambacher Schloss Fest.
In a surprising twist, the siblings of the Siebenpfeiffer family tree, who were attending the exhibition, purchased my artwork at the opening of the exposition.
The unexpected connection between our family trees and my art has left me feeling astonished and grateful for this serendipitous encounter.
City: Neustadt an der Weinstrasse
Location: Rheinland-Pfalz / Germany
Date: 16/08 to 05/09/1982
Jury: Jury of 8 members and art experts
1984 Erasmus Foundation / Brain Science Day
City: 1070 Brussels / Route de Lennik 808
Location : Bruxselles Capital Region
Date : 23/11/1984
Jury: Cover with drawing by Wolfgang Petsch
1985 NUTZKUNST : Internationale Grafik-Design Ausstellung von Kunstakademien, (La Cambre, Wolfgang Petsch, with the suject : The Urban Fabric 1985)
City: Bremen, Germany
Location: Untere Rathaushalle, Am Markt
Date: 08 to 26/11/1985
Jury: Ein Projekt der Hochschule für Gestaltende Kunst und Musik Bremen
2002 R.B. Flugtag / Antwerp / The challenge of designing a flying art object to achieve maximum distance sparked creativity and engineering innovation among participants.
The inaugural winner, Sonaca SA, an aerospace company, showcased their expertise by developing a high-performing flying object.
Additionally, the lollipop company C.C. secured the runner-up position, demonstrating unconventional thinking and design prowess in the competition.
The event not only highlighted the diversity of skills and talent but also celebrated the collaborative spirit and ingenuity of participants in tackling unique challenges.
It was a pleasant surprise to be invited to Somaca SA's headquarters by the CEO, where I was welcomed with a handshake and a drink.
The CEO suggested that I should consider becoming a pilot too, highlighting recognition of my talents and potential within the field like the new born Leonardo Da Vinci.
City: Antwerp
Location: Houtdok
Date: 02/06/2002
Jury : R.B.
2002 Raising promo girls to star status. Elevating promo girls to star status presents a unique challenge that involves conceptualizing innovative outfits to enhance the brand's signature look, garnering increased media attention, solidifying brand identity, and captivating consumers and media at events.
By creating distinctive attire that resonates with the brand's values and attracts attention, these promotional models can play a pivotal role in driving brand awareness and engagement.
This strategic approach not only strengthens the brand's presence but also positions the promo girls as focal points, contributing to a memorable and
impactful brand experience.
City: Barcelona / Brussels / Antwerp etc.
Location: Events / Public Relation
Date : 15/05/2002
Jury : Marketing Department of C.C. & Public Relation Team
2003 R.B. Soapbox derby: A mega event at the Spa-Francochamps F1 racecourse with a creative "soapbox II" for the C.C. lollipop brand and it was a successful and enjoyable event for all involved.
It's great to see innovative marketing strategies come to life in such a positive way.
City : Spa-Francochamps
Place : F1 Spa-Francochamps
Date : 02/06/2002
Jury : R.B.
2018 and 2019 Truc Troc Brussels - Post-it concept / By pushing boundaries and thinking outside the box in my artistic endeavors, I impulsively decided to challenge myself further by stealthily incorporating my artwork onto the white exhibition wall at the prestigious "Truc Troc & Design" event in Brussels.
Witnessing art enthusiasts and spectators engaging in barter offers for various services and experiences in exchange for my work was both exhilarating and enlightening.
It is rare to encounter such a unique and unexpected exchange of services, particularly in the context of a gynecologist offering consultation in return for artwork.
This experience not only showcases the diverse ways in which individuals perceive and appreciate art, but also reaffirms the multifaceted value that female art models bring to the table.
Overall, it serves as a powerful reminder of the intersection between creativity, professionalism, and personal connections.
City: Brussels
Place : Centre for Fine Art - Bozar / Rue Ravenstein 23, 1000 Brussels Date : 26, 27 et 28/01/2018 / 01, 02 et 03/02/2019
2021 Atrium57 / L'art évolution / 4th Biennale de Création contemporaine de Gembloux, where 16 artists are exhibiting their work alongside José Lambert's "Cuba s'affiche" collection and offering a unique opportunity for reflection on Cuban art and its influence on contemporary artistic practices. City: Gembloux
Place: Atrium57 / Gembloux Cultural Centre
Date : 07 to 17/10/2021
Jury: Members of Atrium57
2022 Art Truc Troc & Design / 17th edition / Two works were officially selected : "Mona Lisa avec son droit dore" and "Cyclebell's Soup", women's menstrual cycle and with the female cycle synchronization bring depth and meaning to the art show, offering a unique perspective on these important topics. It's exciting to see artists exploring such profound and relevant themes in their creations and cheering with the audience.
City: Brussels
Venue: Tour & Taxis Maritime Station
Date: 20, 21 and 22 May 2022
Jury: Selection Jury / François Coorens (President of the 2022 Jury) In addition, the artist's work "Cycelbell's Soup" has been recognised by the Andy Warhol Foundation as the rights holder and creator of the original work, but as a parody, which included the female menstrual cycle and the synchronisation of cycles.
2023 International Contemporary Art Fair Brussels [Art3Femmes / stand E17]
City: Brussels
Venue: Heysel Palais 1
Date: 24, 25 and 26 November 2023
Jury: Members of art3Femmes in Mulhause
2024 Galerie La Patinoire Royale Bach / The first delighted invitation for a specific collector's brunch for this year's edition of Ballroom Project on Sunday 19 May arrived, offering a unique opportunity to interact with the curator Pieter Vermeulen, as well as the participating artists and gallerists, which promises to be a fascinating experience.
2024 Art [ist] Meeting / Save the date ! / Discover a unique selection of the my works, during Art [ist]Meeting, the art fair for artists from 23-25 August at the Grand Casino Knokke. Daily open from 3 – 8 pm. Information on artistmeeting.com and/or on glitchminister.com
6) Are you mentioned in a magazine, book, dictionary, TV show, or similar publication etc.?
Yes, I am mentioned in the book "Kunst Ausstellung Hambacher Fest" by IDEAL UND WIRKLICHKEIT FREIHEITLICHER GESINNING 1832 - 1982, specifically as artiste Wolfgang Petsch on page 40 as number 40.
Yes, I am mentioned in the weekly magazine Trends Tendances, No. 28-29 15 July 1999, on a double-page spread about the creativity of the CC lollipop brand and PETSCH surf marketing phenomenon.
2000 RTL-TVI "Coute que Coute" Media attention of 9'33 minutes on my PR strategies of the CC lollipop brand and PETSCH surf marketing phenomenon.
7) Do your artworks feature in any of the collections?
The artist's works have captured the interest of esteemed private collectors since 1982, with their first solo exhibitions in Brussels showcasing 44 artworks by the age of 22.
8) Have you received any awards or art critics for your artistic work?
1982 Europäischen Wettbewerb / Der Regierungspräsident-Düsseldorf / Erster Preis von Nord-Rhein-Westfalen und der zweite als Bundessiegerpreis / BRD- Germany
2001, at the R.B. Flugtag in Antwerp, the challenge of this event was to design a flying object to overcome and maximize distance. The first winner was Sonaca SA Aerospace Company, and the second winner was the lollipop company C.C with my art creation.
2017 "Nasty Women Everywhere.org" by Kirsten Cameron on 13/02/2017 raised awareness for women's and individual rights and money for victims of domestic violence through a creative YouTube video clip featuring my female models as entire motion picture: https://youtu.be/KDGdFsuW--8.
2022 Jerry Saltz. Receiving praise from a prominent art critic, known for his insightful critiques and expertise in the art world, is indeed a significant endorsement. The simple commendation of "Pretty Good Art" highlights the recognition of my innovative female art medium and creations within the international art community, showcasing my specific talent and potential for further opportunities and validation of my artistic endeavors on a global scale. From Twitter / info@twitter.com date: Sat, Nov 19, 2022,12:03 AM
9) Are you the founder or co-founder of a movement, an artist's route, a group, a circle, or an artistic association?
Yes, I am a founder and creator who has developed and registered models representing various unique abstract women types (femme trap, femme fatale, archetypal woman) with the US Congress. These models are derived from transforming a conventional mouse trap into an extraordinary
representation of Venus, characterized by bold and disruptive design. This approach emphasizes their authenticity as a truly original form of femininity and fused at the same time a distinctive meaningful female voice in the realm of conceptual art.
According to copyright law ©, no one can appropriate my models, whether used individually, in groups, or full picture animations. This extends to the creation of films where my models appear to transition between perspectives to convey a specific message or engage in audiovisual exploration, as specified within this framework for purposes such as criticism, commentary, reporting, and general education."
In simpler terms, I am the creator of the femme fatale archetype in a conceptual sense. As the copyright owner, I hold the rights to this model, which symbolizes an open window for a fresh fusion with art, dance and a unique perspective on women's reality and health.
Similarly, in the realm of research, artists like "Yves Klein" with his monochrome exploration and iconic "Blue" registration exemplify artistic acts that transcend mere commercial interests. According to sources like Philip Ball's "Bright Earth: The Invention of Color", Klein's pursuit aimed not just at safeguarding his creations but also at preserving the authentic genesis of his creative concepts, rooted in technological inspiration.
Furthermore, I have developed my own minimalist parody model inspired by Yves Klein, known for his monochrome art. While Klein is celebrated as "Yves, le Monochrome," my unique creation is completely immersed in the color blue, with intricate rotations in all dimensions. On the reverse side, a typography in a negative imprint on Venus dismantles the patriarchal notion, reimagining Klein as "Yves, en MoNoFEMME," challenging traditional gender roles and identities complited the world up side down.
Intellectual Property (IP): My base model/models are registered at the US Copyright Office at the Library of Congress, James Madison Memorial Building, 101 Independence Avenue, S.E., Washington, D.C., and as an entire motion picture since October 10, 2016. Registration Number: Pau3- 823-660 / Effective Date of Registration: October 10, 2016.
10) Are you a member of any artistic circles, groups, or associations?
Yes, I am a member of the "La Cambre" art club in BXL and am open to joining other artistic circles, groups, or associations. Being a part of such communities can offer valuable networking opportunities, inspiration, and support in my creative endeavors. It is key to exploring and connecting with
fellow artists !
11) Are you attached to one or more galleries where your work can be seen permanently?
"I'm not currently attached to a gallery through a contract, but I'm open to collaborations with galleries on a non-exclusive or one-off basis.
If we agree to work together, I'd like to establish a clear agreement, including a 'bon de dépôt' that outlines the terms of the exhibition and potential sale of my work.
I also have my own concept for renting or buying space, which I call and named "Glitch Minister as pop-up gallery", and I use this to exhibit and communicate my work in a variety of locations and events, including street art installations like at Mima-Brussels and/or at the East Side Gallery-Berlin."
12) How do you sign your paintings, drawings, sculptures and other works?
That's a great point! The signature of an artwork is indeed a personal touch that conveys the artist's identity and complicity, and it's fascinating to see the various ways that artists can express themselves through their signature.
From traditional signatures like names and pseudonyms, to more innovative methods in technical typography and dates signatures, each approach adds a unique layer of meaning and character to the artwork.
The signature and numbering of an artwork can indeed provide valuable insight into the artist's creative process and aesthetic, serving as a tangible connection to the artwork's provenance and history.
In addition, I also have my specific signature with my brand "frog" logo, which also has a registration certificate issued for the OHIM Community trade mark for conceptual and figurative art with No. 001433663. The registration is published in the Bulletin of Community Trade Marks No 014/2001 of 05/02/2001, page 661.